In art history, especially the contemporary art scene in recent years, we often see discussions about how to connect technologies or AI with art works. As technology becomes increasingly present in our lives, this anxiety over the relationships between humans and technologies becomes an important dialogue about the future of art. ‘Can’t Help Myself’ (Sun Yuan and Peng Yu, 2016) is a controversial artwork which features a robot arm and bloody red liquid. Most visitors sympathized with the robot and its meaningless behaviors because they connected robot arm interpretations to their own labor-driven lives. More and more technologies have entered our lives, it is natural that they enter the art world as well. It might be possible to cast the same point of view on the plants that are the most familiar to us. Do plants have a will? If it has a will, what does it think of the present day? ‘Germination’ was first exhibited in 2021, during the pandemic in Tokyo. The way a seed germinated, put down roots firmly in the ground, and sprouted vigorously on the surface of the earth overlapped with the way human beings restarted their daily lives after the pandemic. A robot arm was choreographed as a sprout which germinated from the ground after a period of dormancy and eventually bloomed again. We might see all things, not just plants, will begin to express themselves with the help of technology in the future art scene.